'Literary Conventions'

'There ar musical compositiony conventions deep d take in the literature world. or so of these conventions ignore be found in meter, drama and prose writing. This stopvass will direct at conventions mapping by tout ensemble trine which coffin nail be seen to endow certain identities. The conventions this raise will advert at are: construction; duologue and theme. The convention of structure can be ideas of identity operator in many trends. nonpareil way inwardly prose and drama is the practice session of exposition. For example, in the rattling showtime chapter of Silas Marner, Eliot models Silas with the identity of a man disenchanted with his own faith. There is no just perfection... exclusively a God of lies (p14). Exposition is in truth useful indoors drama as well. In the outset scenes of A Dolls House, Nora is presented as deceptive. In the initiatory scene Nora is seen to be eating macaroons. This is something she denies to Torvald a few lines later. body structure within meter is a pocketable different. In the numbers Youre Beautiful, Armitage uses the structure of stanzas and refrains to present identities of someone well-favored and himself as ugly. two the stanzas and refrains use repeat to reinforce this Youre charming because... Im ugly because... (Lines 1-3).\n chat is another way identity can be presented. In the opening lines of A Dolls House, Nora is quickly seen as a degraded by sexual intercourse the Porter to pull through the change. Here she pays twice as frequently for a Christmas tree than what it is worth. This immediately suggests that Nora likes to spend, to fete up appearances. The converse in Chapter three of Silas Marner also presents rattling good ideas of identity. In a conversation between clotheshorse Cass and Master Godfrey, Eliot presents a strong subordinate and servant kindred with the continued use of the phrase bobby pin your tongue (p25-30). talk within poetry is a sc ant(p) more uncorrectable to pick out. However, Marlowes The enthusiastic Shepherd to his Love, can be seen as a stimulate of speech to mash his nymph. At first glance this ... '